My buddy, Armando, was a great fan of Stephen King in high school. Uttering the name, Cujo, became a tool to freak each other out walking home from the bus stop late at night or in expansive yards in Kerrisdale during late night parties. Of course, the movie version of my namesake, Carrie, taught me the power of standing poker straight, the unblinking stare and clearly enunciating “No”. Even the most drunk frat rat or persistent “bad choice” date responded with the intended outcome. Although my older sister digested horror books en mass, I never did. I wasn’t quite sure what to expect from this book.
Stephen King is a prolific writer who has been able to translate that to market success. My assumption was that his goal as a writer was mass market success. His book On Writing – A Memoir of the Craft reveals this is not the case. His writing has been a way to live his life, starting from a very young age. Life granted him both the ultimate highs and ultimate lows that he negotiated through his writing. He says that he doesn’t even remember writing Cujo because it was in the midst of a dark time when he was drinking heavily. Perhaps it was the darkness that made the book so haunting!
His writing has strong voice, a direct style and an honesty and openness that I admire. His advice to aspiring writers: Make the time to read widely and write widely. He reads because he likes to read. He reads fiction because he likes stories. The learning comes from both the good and the bad books. “One learns most clearly what not to do from bad prose… Good writing on the other hand, teaches the learning writer about style, graceful narration, plot development, the creation of believable characters, and truth telling. “(p.146)
King is a disciplined writer and he rarely skips a day. He is not a believer in mapping out the plot and then developing his story. He begins with the situation and flat, unfeatured characters. Once that is firmly in his mind, he begins to narrate. He emphasizes: “Description is what makes the reader a sensory participant in the story…Reading will help you answer how much and only reams of writing will help you with the how.”(p.173)
His book also includes a few pieces of advice that were given to him along the way.
by John Gould, editor of The Lisbon’s weekly newspaper where he had his first job: “When you write the story, you’re telling yourself the story. he said. When you rewrite, your main job is taking out all of the things that are not the story.” (p.57)
in a rejection letter in spring of his Senior high year: machine generated signature of editor :“Not bad, but PUFFY. You need to revise for length. Formula: 2nd draft = 1st draft-10%. Good luck.”
This book taught me so much that I can use in the teaching of writing and in my own writing. I’m so glad it fell into my hands. I highly recommend it.